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The vast company of characters are memorably drawn and naturally the emperor of lies dominates The final section of the book rises to startling heights of descriptive writing as the steadily emptying ghetto becomes a freezing snowscape barely populated other than by the ghosts who have perished.


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The concluding pages are almost unbearable The Emperor of Lies is a memorable examination of human resilience and the will to survive. It is a most distinguished addition to the literature of the holocaust. Based on the tragic true story of a Jewish ghetto in WW2, this is an epic novel following the dark and flawed authoritarian ruler of Lodz. Convert currency. Add to Basket.

ISBN 13: 9780887842597

Soft cover. Condition: New. Pristine, unmarked. Seller Inventory The adoption does not prevent Rumkowski from engaging repeatedly in homoerotic, sadomasochistic and pedophilic encounters with Staszek, some of which are witnessed by his wife, Regina. This perverse cocktail of sex and death in the context of Nazi persecution harks back to D. Instances of resistance are sparse. Negative resistance takes on the form of suicide, the ultimate power a Jew had in Lodz to control his or her destiny.

The Emperor of Lies

Vera meets Alex Gliksman, an odd, intellectual sort whose hideout is a ramshackle underground haven where Jews can actually think beyond the confines of a coal cellar and read bits and pieces of underground newspapers and listen to broadcasts in Polish, German and English. Stylistic hiccups pockmark this lengthy novel. An unexpected omission for someone who so carefully maps the individual and collective fates of the Lodz ghetto Jews. He is currently completing a manuscript in French on the wartime art market in German-occupied France for Editions Fayard in Paris.

DE FATTIGA I LODZ – THE EMPEROR OF LIES – Nordin Agency

Kate Saunders, The Times. The story is told in almost dispassionate prose which because of its sheer understatedness makes it all the more potent … Sem-Sandberg is an intensely visual writer and scene after scene comes vividly to life. The vast company of characters are memorably drawn and naturally the emperor of lies dominates … The final section of the book rises to startling heights of descriptive writing as the steadily emptying ghetto becomes a freezing snowscape barely populated other than by the ghosts who have perished.

The concluding pages are almost unbearable … The Emperor of Lies is a memorable examination of human resilience and the will to survive. It is a most distinguished addition to the literature of the holocaust.

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Peter Burton, Daily Express. With this book, Sem-Sandberg steps into the magic circle of leading European writers. It is the humanity of the storytelling, so rich and vivid and yet under such complete control, which entices the readers of this dark book.

The stories are told with a wealth of expressions, jokes, poems and rituals in Yiddish. They seem to capture Jewishness, not just in their contexts, but in the shifts between pitiless realism and grim humour.

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The calm voice of the narrator, restrained even when trembling with revulsion, never loses its undertone of irony. Anna Paterson, The Independent. Book Trust. The story telling is totally engaging, and he brings ghetto life almost unbearably alive, as he explores, in a way which is both challenging and humane, the lives of the residents.

DE FATTIGA I LODZ – THE EMPEROR OF LIES

Although the horrors of that period are so well known, he highlights the moral dilemmas and ambiguities people faced in their desperate struggle for survival. The book raises so many issues for groups to explore; I highly recommend it. Linda Hepworth, Newbooks. I entered this lost domain with great reluctance, and look about me there with a degree of horror, but also admiration for the huge task that Sem-Sandberg has undertaken.


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And how is it that having entered, one is strangely glad to be there, and even reluctant to leave? Perhaps because there are so many souls crying out to be properly understood, and because sentence by sentence it is extremely interesting, not least the terrible ambiguities and the compromised heart of Rumkowski.

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My great sense is that Sem-Sandberg has achieved something monumental, but with a strange and necessary lightness of touch. It is sobering, scarifying, and, in its hunger for the truth, enthralling. Sebastian Barry.